During World War II in the freezing winter of 1944-45 the western Netherlands are in the grip of a famine. Many people move east to provide for their families. Fourteen year old Michiel can't wait to join the Dutch resistance, to the dismay of his father, who, as mayor, works to prevent escalations in the village.

When Anita Raja, CEO of Sheppard power plant, brings a power plant proposal to set up in rural Mahrashtra before the Nagres, insightful Shankar is quick to realise the benefits the power plant can bring to the people.

A police officer wakes up from a coma and embarks upon a revenge mission against his former best friend who killed his family.

Taking flight from its central creative process, 45 Days in Harvar expands into something much more nuanced: an examination of the prison system through first-person testimony and collective reflections. As Aréchiga’s debut documentary, it stands out as a work of empathetic humanism, and emblematizes the principle that art is never created in a vacuum.

Taking flight from its central creative process, 45 Days in Harvar expands into something much more nuanced: an examination of the prison system through first-person testimony and collective reflections. As Aréchiga’s debut documentary, it stands out as a work of empathetic humanism, and emblematizes the principle that art is never created in a vacuum.

This contains all videos of Raj Shamani ..

Kate and her brutish boyfriend Big Al sell handguns on the streets of New York. She's smart, stylish, and self-confident, but all that leaves her when Al, in a jealous and self-indulgent rage, beats her. Three friends encourage her recovery: Vic, a woman who would like to be Kate's lover; Reilly, who runs with Al but also is attracted to Kate and repulsed by Al's violence; and, Liz, the counselor assigned to Kate from a battered-women's program. Vic and Reilly talk about killing Al, Liz gives pep talks; Kate remains frightened. Will Al's menace and Kate's dependency hold sway?

Yalta-45 mini series

Friends, family, and lovers struggle to find love, forgiveness, and meaning in an almost war-torn world riddled with comedy and pathos.

At the end of 1945, the Nuremberg trials against Göring, Hess, von Ribbentrop and other Nazi officials began. The young Jewish reporter Ernst Michel and the witness Seweryna Szmaglewska, both concentration camp survivors, struggle not only with their deep traumas, but also with some uncomfortable insights that the trial brought to light. Carsten Gutschmidt's thoughtful docudrama sensitively interweaves dramatised scenes, flashbacks, colourised original footage and new material in which witnesses and descendants visit the original locations and comment on the action.